Brick Bros. Circus

This inventive play delights audiences of all ages, bringing the world of play, creativity and performance to life, brick by brick by brick. Guaranteed to stimulate imaginations and spark creative thinking, the Brick Bros. Circus is a complete, miniature one-ring circus, performed by highly trained building bricks in itty bitty costumes. See the acrobatic Bildovitch Family, the breathtaking Madame Brikaskova, the amazing Brick Contortionist and much much more!

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A World of Puppetry

A World of Puppetry is both an introduction to the intriguing diversity of puppetry traditions around the world, and a demonstration of simple puppet making techniques.  The presentation appeals to students’ imaginations and sense of wonder, as well as giving their teachers a solid technical basis with which to inspire creativity in follow-up classroom activities in this interdisciplinary art form.

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Tea at the Palace 2014

At the Tarragon Theatre for One Week Only:  December 16 to 21, 2014 School Groups – Dec 16 to 19 – morning and afternoon viewings are available. Public Shows– Dec 19 to 21: Friday December 19th at 7.30 pm Saturday 20th, 2.30 and 7.30 pm Sunday 21st,  2.30 Gala Matinee  Ticket prices:  Adult $25 Children and Seniors $20 Gala Matinee $50 (includes a charitable receipt for $25) Available at the Tarragon Box Office 416-531-1827

DESCRIPTION Laced with Puppetmongers’ inimitable humour and delightful storytelling, Bed & Breakfast is a charming adaptation of The Princess and the Pea, set in a magnificent miniature mansion of the Edwardian era. Older children are intrigued by the captivating detail – tiny working period light fixtures and a steaming bathtub – while younger children are entranced by the story, transfixed by the power of make-believe. Humour abounds, and everyone roots for the clever servants who conspire to create a happy ending for their Royal employers. Bed & Breakfast was originally written, designed, built and performed solo by Ann Powell. The play was later remounted for two performers, directed by Sue Miner. DETAILS

  • For  family Audiences:  enjoyed by ages 5 and up – and adults
  • Suited to studio theatres:  audience maximum 100 (the puppets are only 7″ tall!)
  • Approximately 60 minutes.

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Puppetry Hive-Working Session–Sept. 27, 2017

After a delicious pot-luck supper we caught up on members activities and developments.  One member came prepared to share a technical problem they were encountering with a show in development.  The group brainstormed solutions and  we finished off the evening with watching a selection of amazing puppetry videos that were recommended by members of the group.

Open Studio Evening, April 27, 2017

Open Studio evening.  Members came with their individual projects to work on, exchange information and ideas, connecting, and general chat.

And now Stratford comes to our studio!

This Fall Keira Loughren and her team of designers and actors were at home in our Toronto studio for a week long workshop of The Komagata Maru Incident, by Sharon Pollock, slated for production at Stratford in mid 2017.

Our job was to create shadow puppets for a Sikh folktale inserted into the play – here are a few pictures of what we made, based on a style of thai shadow puppetry… projected with halogen lamps.

The Crow
farmers-wife-puppet-and-shadow
The farmer’s Wife
The Banyan Tree and happy ending

 

 

 

 

 

 

 

 

 

 

 

 

Workshopped in Stratford

Collaborated on a workshopping of Cue for Treason at Stratford Ontario, with directors Varrick Grimes and Keira Loughran and video artist Erin Gruber.  It was done with a blend of shadow image/action with projection and live action from a team of six actors.

For this made cut out shadow images to be projected by halogen lamps, and then Erin captured them on video and played with them on her computer before re projecting the results.

Some memorable moments were:

  • A few galloping horsemen I cut out became a hoard of charging cavalry.
  • A ghost scene/bad dream with actors silhouettes and projected visions as shadow images.
  • A cut out chest was projected so that two actors could climb in to hide.
  • Live actors working on the sides of the stage were filmed and projected onto a two floor house interior I had cut out, so you could see them plotting, running up and down stairs, climbing through windows etc, while also seeing them do it all in mime.  A hoot!

Altogether a great shame that the Stratford Festival did not choose to take in on to production – it would have been so much fun!